All the materials of a poem
Are lying scattered about, as in this garden
The lovely lumber of Spring.
All is profusion, confusion: hundred-eyed
The primulae in crimsion pink and purple,
Golden at the pupil;
prodigal the nectarine and plum
That fret their petals against a rosy wall.
Flame of the tulip, fume of the blue anemone,
White Alps of blossom in the giant pear-tree,
Peaks and glaciers, rise from the same drab soil.
Far too much joy for comfort:
The images that hurt because they won’t connect.
No poem, no possession, therefore pain.
And struggling now to use
These images that bud from the bed of my mind
I grope about for a form,
As much in the dark, this white and dazzling day,
As the bulb at midwinter; as filled with longing
Even in this green garden
As those who gaze from the cliff at the depths of sea
And know they cannot possess it, being of the shore
And severed from that element for ever.
— “The Images that Hurt” by W.H. Auden